Succession (2018)

Every line of dialogue in Succession has purpose. Jesse Armstrong and the writers' room craft scenes where subtext carries more weight than text. The episode This Is Not for Tears is one of the best hours of television I've ever seen.

What makes Succession special is how every character feels fully realised. Not just Kendall Roy — even the minor characters have depth. Jesse Armstrong clearly spent years thinking about this world.

Succession lives up to maybe 80% of the hype. Brian Cox's commanding presence as Logan is genuinely excellent. The toxic wealth and family element is well done. My only complaint is that things drag slightly in the middle. Still four stars.

Succession is a masterclass in television storytelling. Jesse Armstrong's writing is meticulous — every episode builds towards something. The theme of ambition and self-worth runs through every storyline. A must-watch.

Succession showed me what television can do. The toxic wealth and family storyline is handled with more intelligence than most films. Brian Cox's commanding presence as Logan elevates the whole thing. Required viewing for anyone who cares about storytelling.

Logan Roy is played with incredible subtlety. You believe every choice they make even when those choices are catastrophic. the perfect balance of comedy and tragedy is a big reason this show rose above its peers.

Succession takes a few episodes to find its feet. By the time you reach All the Bells Say, you understand what the show is going for. Jesse Armstrong has a long game in mind and it pays off beautifully.

Knowing how Succession ends makes the early episodes even more rewarding. Jesse Armstrong plants seeds so subtly you don't notice them until the second watch. Roman Roy's journey hits harder when you know where it leads.